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About Tim David Trillsam

About the artwork

The sculpture is cast in nickel silver as limited edition using the lost lost-wax casting process and engraved by hand. Edition limited to 99 + 1 EA, numbered and signed by the artist. Trillsam’s figurative bronze sculptures seem bizarre and somehow one feels taken to another world. With wit and humour, the artist makes the viewer smile and toys with his self-reflection at the same time. A striking feature is the extraordinarily large hands and feet of his human figures which in particular are very aesthetic for the artist. This way, contrary to the presentation of a perfect human body, Trillsam’s sculptures are reduced to the essential, natural tools of man, thereby contrasting art historical depictions. The raw cast skin is another essential element of his works. Trillsam does not patinate his works, polishes them sparingly and uses colouration only sporadically. Through this special form of surface modelling his sculptures gain a unique liveliness and lightness, which makes the works of this young artist stand out and many of them to a collector’s favourite.

Tim David Trillsam ICH | EGO, 2013

£1,400.00
H 29 cm x W 8 cm x D 8 cm
More details
Bronze
Limited edition, Unframed
Signed
Edition of 99 + 1 EA - 15 available
Gallery:
Ships from: Germany
  • Certificate of authenticity Certificate of authenticity
  • Condition Report Condition Report

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About Tim David Trillsam

About the artwork

The sculpture is cast in nickel silver as limited edition using the lost lost-wax casting process and engraved by hand. Edition limited to 99 + 1 EA, numbered and signed by the artist. Trillsam’s figurative bronze sculptures seem bizarre and somehow one feels taken to another world. With wit and humour, the artist makes the viewer smile and toys with his self-reflection at the same time. A striking feature is the extraordinarily large hands and feet of his human figures which in particular are very aesthetic for the artist. This way, contrary to the presentation of a perfect human body, Trillsam’s sculptures are reduced to the essential, natural tools of man, thereby contrasting art historical depictions. The raw cast skin is another essential element of his works. Trillsam does not patinate his works, polishes them sparingly and uses colouration only sporadically. Through this special form of surface modelling his sculptures gain a unique liveliness and lightness, which makes the works of this young artist stand out and many of them to a collector’s favourite.

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