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Tammy MacKay

About Tammy MacKay

About the artwork

Tammy Mackay Rowland’s Dodo (Version II) Limited Edition Photppolymer Print Edition of 30 Size: H 56.5cm x W 75cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look.) Rowland’s Dodo (Version II) is a limited edition Photopolymer print on soft white Somerset paper by Tammy Mackay. The black and white print is highly detailed and could easily be mistaken for an original. Tammy Mackay’s Dodo work and other works are available for sale online and in our art gallery but do call us to double check . Tammy Mackay comments “I have always had a passion for printmaking, which has always been my main form of expression. Although I have used etching and monoprint as my primary mediums, I have always experimented with new techniques. More recently I have used photopolymer plates and drypoint. These techniques are often combined with hand drawn or hand coloured chine collé. Exploring and developing new techniques opens up new possibilities which I feel is essential to my development as an artist and printmaker. Tammy Mackay’s most recent body of work is entitled Love [loss] and Identity.

Tammy MacKay Rowland's Dodo (Version II) , 2020

£440.00
H 56.5 cm x W 75 cm x D 0.1 cm
More details
Photopolymer print
Limited edition, Unframed
Signed
Edition of 30 - 1 available
Gallery:
Ships from: United Kingdom

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About Tammy MacKay

About the artwork

Tammy Mackay Rowland’s Dodo (Version II) Limited Edition Photppolymer Print Edition of 30 Size: H 56.5cm x W 75cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look.) Rowland’s Dodo (Version II) is a limited edition Photopolymer print on soft white Somerset paper by Tammy Mackay. The black and white print is highly detailed and could easily be mistaken for an original. Tammy Mackay’s Dodo work and other works are available for sale online and in our art gallery but do call us to double check . Tammy Mackay comments “I have always had a passion for printmaking, which has always been my main form of expression. Although I have used etching and monoprint as my primary mediums, I have always experimented with new techniques. More recently I have used photopolymer plates and drypoint. These techniques are often combined with hand drawn or hand coloured chine collé. Exploring and developing new techniques opens up new possibilities which I feel is essential to my development as an artist and printmaker. Tammy Mackay’s most recent body of work is entitled Love [loss] and Identity.

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