Sylvia Paul’s oil paintings are worked using a knife in a free and expressive style. For her landscapes, she uses small pastel sketches done in the field, as her reference in the studio. The oils are painted on MDF board and framed with a contemporary stone white colour frame. Landscape and still life are familiar subjects, but after visiting Japan Sylvia’s collages, in particular, are more abstract in style, and her memories are often her inspiration. " />
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Sylvia Paul

About Sylvia Paul

About the artwork

The original painting "Red Anemones in the Garden" by Sylvia Paul is framed, signed and stringed and ready to be displayed. The artist's use of bright colours and bold, confident brushstrokes work together to make this a spectacularly striking piece of art.

Sylvia Paul’s oil paintings are worked using a knife in a free and expressive style. For her landscapes, she uses small pastel sketches done in the field, as her reference in the studio. The oils are painted on MDF board and framed with a contemporary stone white colour frame. Landscape and still life are familiar subjects, but after visiting Japan Sylvia’s collages, in particular, are more abstract in style, and her memories are often her inspiration.

Sylvia Paul Red Anemones in the Garden , 2016

£1,200.00
H 52 cm x W 60 cm x D 4 cm
More details
Oil
Original, Framed
Signed
Ships from: United Kingdom
  • Certificate of authenticity Certificate of authenticity

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About Sylvia Paul

About the artwork

The original painting "Red Anemones in the Garden" by Sylvia Paul is framed, signed and stringed and ready to be displayed. The artist's use of bright colours and bold, confident brushstrokes work together to make this a spectacularly striking piece of art.

Sylvia Paul’s oil paintings are worked using a knife in a free and expressive style. For her landscapes, she uses small pastel sketches done in the field, as her reference in the studio. The oils are painted on MDF board and framed with a contemporary stone white colour frame. Landscape and still life are familiar subjects, but after visiting Japan Sylvia’s collages, in particular, are more abstract in style, and her memories are often her inspiration.

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