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About Rosemary Farrer

About the artwork

Rosemary Farrer Rosehips Unique Monoprint Image size: H:36cm x W:30cm Mount size: H:44.5cm x W:38cm Sold Unframed Free Shipping Rosehips is a unique still life monotype by Rosemary Farrer. Monotype is a method that it yields just 1 unique image. It is on acid free Hahnemulle rag paper. This is unframed. It is inspired by gleanings from the Autumn hedgerows of wild rose hips. The prints are in no way copies of the paintings, they are conceived of, and made, as a response to the special and wonderful effects that can be achieved only through the various techniques of printmaking, whether it be the graphic, dynamic marks of a linocut, or the subtle tones and textures achievable in aquatint and etching. Design, composition and the use of colour are what excite her. She spends a lot of time drawing and painting outside, back in the studio, she will distil these ideas into strong graphic woodcuts, and linos or subtly textured etchings. Recent monotypes draw together the threads of her different media, with their graphic shapes and rich painterly colours. She studied fine art at Camberwell School of Art and The Ruskin School of Drawing, and learned printmaking at Morley College [London].

Rosemary Farrer Rosehips, 2016

£180.00
H 36 cm x W 30 cm x D 0.1 cm
More details
Monoprints
Limited edition, Unframed
Signed
Edition of 1 - 2 available
Gallery:
Ships from: United Kingdom

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About Rosemary Farrer

About the artwork

Rosemary Farrer Rosehips Unique Monoprint Image size: H:36cm x W:30cm Mount size: H:44.5cm x W:38cm Sold Unframed Free Shipping Rosehips is a unique still life monotype by Rosemary Farrer. Monotype is a method that it yields just 1 unique image. It is on acid free Hahnemulle rag paper. This is unframed. It is inspired by gleanings from the Autumn hedgerows of wild rose hips. The prints are in no way copies of the paintings, they are conceived of, and made, as a response to the special and wonderful effects that can be achieved only through the various techniques of printmaking, whether it be the graphic, dynamic marks of a linocut, or the subtle tones and textures achievable in aquatint and etching. Design, composition and the use of colour are what excite her. She spends a lot of time drawing and painting outside, back in the studio, she will distil these ideas into strong graphic woodcuts, and linos or subtly textured etchings. Recent monotypes draw together the threads of her different media, with their graphic shapes and rich painterly colours. She studied fine art at Camberwell School of Art and The Ruskin School of Drawing, and learned printmaking at Morley College [London].

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