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Erin Cone

About Erin Cone

About the artwork

Known for her bold visionary take on figurative realism, Erin Cone has twice been recognized in the national art press as one of the top young emerging artists in the country. After graduating with a B.F.A. in Painting from the University of Texas Austin in 1998, and working briefly in the design industry, Erin had her first gallery solo show at the age of 24 and has been painting full-time ever since. From the beginning, Erin's paintings have captured a fusion of aesthetics all her own - combining the compositional strength of abstraction with the emotive power of magical realism to create something completely new. "I emphasize visual impact over narrative context, focusing on the subtle orchestration of my subject within a framework of design. I create a deliberate push-and-pull between near-photorealistic detail and my own vocabulary of visual glitches that challenge that very realism. This duality is central to my work and allows the figures I paint to remain wholly representational while functioning abstractly - evoking emotion without defining it."

Erin Cone Offering, 2014

£3,200.00
H 76 cm x W 91 cm x D 4 cm
More details
Acrylic
Original, Unframed
Signed

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About Erin Cone

About the artwork

Known for her bold visionary take on figurative realism, Erin Cone has twice been recognized in the national art press as one of the top young emerging artists in the country. After graduating with a B.F.A. in Painting from the University of Texas Austin in 1998, and working briefly in the design industry, Erin had her first gallery solo show at the age of 24 and has been painting full-time ever since. From the beginning, Erin's paintings have captured a fusion of aesthetics all her own - combining the compositional strength of abstraction with the emotive power of magical realism to create something completely new. "I emphasize visual impact over narrative context, focusing on the subtle orchestration of my subject within a framework of design. I create a deliberate push-and-pull between near-photorealistic detail and my own vocabulary of visual glitches that challenge that very realism. This duality is central to my work and allows the figures I paint to remain wholly representational while functioning abstractly - evoking emotion without defining it."

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