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About Nicholas Choong

About the artwork

Choong began experimenting with mixed media works in 2014; fusing & overlaying paint & found materials together. It highlights the everyday things that we come across in our lives; relationships, emotions & purpose. There is a fractal, mechanical, almost robotic method to making these conceptual works. Fractal shapes / geometry and it's occurrences are found in nature and in the directly observable universe. These machinations are omnipresent and evolving, moving forward, unfolding on it's own accord. It observes very fundamental traits and laws. This series - 'Membrane' - deals with these abstract and scientific thought processes. While the technique remains simple - Overlaying paint using alternative painting tools like scrapers, squeegees etc. The desire, motivation & energy demanded for exploration is a little more complex to define. As usual, a mechanical technique was employed, creating playful combinations of random shapes and colors. Randomness & probability are very much fundamental to the work. And this is essentially what drives the work; a playful energy that is apparent in all living and inanimate things - Just wanting to Be - if only for a short period of time.

Nicholas Choong Membrane Series - Sync, 2019

£1,650.00
H 101 cm x W 76 cm x D 2.5 cm
More details
Acrylic
Original, Unframed
Signed
Ships from: Malaysia
  • Certificate of authenticity Certificate of authenticity

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About Nicholas Choong

About the artwork

Choong began experimenting with mixed media works in 2014; fusing & overlaying paint & found materials together. It highlights the everyday things that we come across in our lives; relationships, emotions & purpose. There is a fractal, mechanical, almost robotic method to making these conceptual works. Fractal shapes / geometry and it's occurrences are found in nature and in the directly observable universe. These machinations are omnipresent and evolving, moving forward, unfolding on it's own accord. It observes very fundamental traits and laws. This series - 'Membrane' - deals with these abstract and scientific thought processes. While the technique remains simple - Overlaying paint using alternative painting tools like scrapers, squeegees etc. The desire, motivation & energy demanded for exploration is a little more complex to define. As usual, a mechanical technique was employed, creating playful combinations of random shapes and colors. Randomness & probability are very much fundamental to the work. And this is essentially what drives the work; a playful energy that is apparent in all living and inanimate things - Just wanting to Be - if only for a short period of time.

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