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Marisa R Ng

About Marisa R Ng

About the artwork

Fertile Land is one of Marisa's work from The Secret Garden 2 Series. As a child, Marisa was enthralled by the story, “The Secret Garden” by Frances Hodgson Burnett. Today, she is a grown woman on a journey to discover her own “secret garden”, one that is embedded deep within her heart. As an artist, she is interested in creating artwork that engages her audience and draws them into her realm of imagination. Her style is abstract expressionism, leaning on her subconscious and spontaneous actions which result in gestural brush strokes, seeking balance between chaos and control. Her mark-making process involves using different tools such as pencils, crayons, charcoal sticks, brushes and pallet knives to produce interesting textures, marks and surfaces. She enjoys using oils for their vibrance, intensity and versatility. Her attempt for this series (a continuation of the secret garden) is to expand on the use of space in her composition. The backgrounds in her paintings are mostly muted, with bright colour accents outlining forms to introduce greater dimension and depth.

Marisa R Ng Fertile Land, 2019

£1,700.00
H 91 cm x W 91 cm x D 3.5 cm
More details
Oil
Original, Unframed
Signed
Ships from: Malaysia
  • Certificate of authenticity Certificate of authenticity

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About Marisa R Ng

About the artwork

Fertile Land is one of Marisa's work from The Secret Garden 2 Series. As a child, Marisa was enthralled by the story, “The Secret Garden” by Frances Hodgson Burnett. Today, she is a grown woman on a journey to discover her own “secret garden”, one that is embedded deep within her heart. As an artist, she is interested in creating artwork that engages her audience and draws them into her realm of imagination. Her style is abstract expressionism, leaning on her subconscious and spontaneous actions which result in gestural brush strokes, seeking balance between chaos and control. Her mark-making process involves using different tools such as pencils, crayons, charcoal sticks, brushes and pallet knives to produce interesting textures, marks and surfaces. She enjoys using oils for their vibrance, intensity and versatility. Her attempt for this series (a continuation of the secret garden) is to expand on the use of space in her composition. The backgrounds in her paintings are mostly muted, with bright colour accents outlining forms to introduce greater dimension and depth.

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