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About James Bartholomew

About the artwork

James Bartholomew | PW788 | Limited Edition Giclee Print of 195. Giclee Print on Paper Size: H 56cm (22″) x W 75cm (29.5″) Signed by the artist. PW788 is a limited edition giclee print by James Bartholomew. This piece depicts a fishing boat moored in a British harbour.The bright red of the boat really offsets the deep blue tones of the water surrounding it.

James Bartholomew works on a comparatively large scale (typically 70cm x 50cm or bigger) which allows for a loose approach. – Much smaller and I find the process becomes a bit fiddly! I mostly work in pastel & watercolour together, the mediums soon becoming mixed up. The pastel will sometimes get wet and moved around within the paint, becoming simply a pigment. Other times it is used over the top of the dry paint. Through this method, the vibrancy can be reintroduced with the pastels and the painting can be changed at any stage. This leaves plenty of room to experiment on the surface without worrying about spoiling the painting, which I find quite liberating.

James Bartholomew PW788, 2019

£170.00
H 575 cm x W 56 cm x D 1cm cm
More details
Giclee
Limited edition, Unframed
Signed
Edition of 195 - 1 available
Gallery:
Ships from: United Kingdom

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About James Bartholomew

About the artwork

James Bartholomew | PW788 | Limited Edition Giclee Print of 195. Giclee Print on Paper Size: H 56cm (22″) x W 75cm (29.5″) Signed by the artist. PW788 is a limited edition giclee print by James Bartholomew. This piece depicts a fishing boat moored in a British harbour.The bright red of the boat really offsets the deep blue tones of the water surrounding it.

James Bartholomew works on a comparatively large scale (typically 70cm x 50cm or bigger) which allows for a loose approach. – Much smaller and I find the process becomes a bit fiddly! I mostly work in pastel & watercolour together, the mediums soon becoming mixed up. The pastel will sometimes get wet and moved around within the paint, becoming simply a pigment. Other times it is used over the top of the dry paint. Through this method, the vibrancy can be reintroduced with the pastels and the painting can be changed at any stage. This leaves plenty of room to experiment on the surface without worrying about spoiling the painting, which I find quite liberating.

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