Get to know Nadia Attura, whose incredible artwork features as part of our campaign for our Battersea Autumn fair, (16 – 20 October 2024), and celebrates 25 years of Affordable Art Fair!
Nadia Attura is a bestselling artist whose landscapes capture both the real and the surreal, with vintage, pastel tones adding an illustrative approach and imbuing her works with a dreamlike feel that’s further enhanced by her meticulous collaging. Represented by Founder and CEO Will Ramsay’s very own gallery Will’s Art Warehouse, it’s only fitting that Nadia’s work fronts the marketing campaign for the 25th Anniversary edition of Affordable Art Fair, taking place in Battersea Park from 16 – 20 October.
We sat down with Nadia to find out more about her background, creative process and what inspires her as an artist.
“It was in art that I found my language and my voice.”
Nadia Attura
As a child, I found art the perfect place for dreams. In school, my dyslexia was undiagnosed, and I was often labelled a daydreamer.
It was in art that I found my language and my voice. I would draw tropical faraway lands and imagine myself in these exotic perfect landscapes.
I loved documentaries about jungles and lost hidden natural worlds. I read books about the Amazon and epic travel journeys. My dream was to be a photographer, for National Geographic, recording the natural wonders of our beautiful planet. At The University of The Arts in London I did my postgraduate in Photojournalism. I worked in photography for about 16 years; there is a thrill attached to capturing the perfect moment, using the light to tell the story.
But my work was much more people focused and I was telling the story of other people, I felt a detachment from the natural world which I craved. The year my daughter was born, I promised her that by the time she would be 5 years old, I would be in a field painting beside her and that would be how I made a living to support us. I could not promise myself this so I had to promise her. I worked so hard to make this happen, a newborn child, working still in photography but also creating my art.
Looking back, three highlights stand out. First, exhibiting at the Royal Academy Summer Exhibition in 2016. It was only my second year exhibiting as an artist so it meant the absolute world to me. It still shocks me every time that I am accepted into the RA. Second, being represented by Will’s Art Warehouse and showing at Affordable Art Fair in 2020. I had visited the fair as a collector, I was always in awe of the artists who were being shown there, so much talent. Lastly, creating the 25th Silver Anniversary Print for Affordable Art Fair was a tremendous honour. It is a privilege to be an artist and to be able to interpret your feelings and thoughts in a tangible way, and have it resonate with others.
“My style has evolved through a series of happy accidents, making mistakes and learning along the way.”
My style has evolved from single documentary images to collage driven stories through a series of happy accidents, making mistakes and learning along the way.
I was travelling in India and had my films processed there as I travelled. I found later that the negatives were damaged so I painted in the missing parts of the landscapes with photo emulsion ink. I preferred these images to the straightforward photographs, I liked the layering.
I was deeply inspired by David Hockey’s photo collage Pearblossom Highway, where he has photographed the road from multiple angles. I love the feeling he created using this method of collage, so I began working in this way and instantly knew this was the narrative I was looking for to tell my stories from nature.
Interior designer Petra Arko asked me once if I had any cactus images with flowers. I did not, so she asked me to add the flowers, which I did and I fell in love with this way of working. Adding uncanny elements within my work, tropical flowers on Cacti, placing cacti on tropical riverbanks, adding flamingos and jaguars, all happily cohabiting in an otherworldly utopia.
I draw inspiration from Renaissance landscape painting and Botanical illustrations from the 18th and 19th Century too. In Renaissance landscapes, it’s the quality of light and colour that captivates me, as for botanical illustrations, I love the detail in these discovered plants, theses botanical treasures evoke a sense of wonderment and awe.
When travelling, I immerse myself in a natural utopia, blending my passion for photography with the freedom of fine art to recreate a surreal paradise in my work.
For inspiration, I look at Instagram, contemporary art and design led works. I always listen to music on Spotify when creating work, it feeds into my imagination.
“I want viewers to escape into nature, surround yourself, feel the wonder, feel the calm and peace, like a botanical nature led meditation.”
I want viewers to escape into nature, surround yourself, feel the wonder, feel the calm and peace, like a botanical nature led meditation. I live in London and yearn for space and green, abundant, flora-rich habitats. I collect these elements when traveling and recreate the immersive feeling of being there in a surreal ethereal world back home.
“Making art is my meditation, it is my well-being, it transports me into places I long to be surrounded by.”
I start by researching the area I plan to visit, bringing my camera to capture both the broad landscape and detailed elements like flowers and leaves. I want to recreate a sense of movement in the landscape, of walking through it, a sense of being enveloped by nature. Art is freedom, an immersive release.
When I am in the studio I begin cutting out and collaging my photographs in Photoshop. I create a template, then from this I make prints on cotton paper which I can draw and paint onto. I photograph these elements back into the collage and create my final limited-edition works. The most gratifying part of the process is the journey that the work takes me on. I never know where it will lead me. I work on multiple pieces simultaneously, each one informing the other, it helps me keep focused. When I am lost in one work, I find a way in another. When one work is finished it tells me and I cannot add anything else. The joy is when the work finally reveals itself to me.
I tend to feel most attached to my latest piece, perhaps I feel it still needs work. It’s a bit like choosing your favourite child. However, a still image from Sardinia holds special resonance for me. I went to the coast when my partner, who has bipolar type one, was very ill and in recovery. I needed to go somewhere to be quiet, to be alone, to not hear any noise. So I took myself to the sea. Here, I stared at the Mediterranean and took photographs. There is one still image which when I look at I find such peace and tranquillity from, reminiscent of Hiroshi Sugimoto’s work, it is so quiet and gentle.
“I am super proud to be a little part of this incredible art family [Affordable Art Fair] who have inspired so many artists to be the best that they can be.”
Celebrating 25 years of the Affordable Art Fair, what an epic achievement! I am super proud to be a little part of this incredible Art family who have inspired so many artists to be the best that they can be.
Join us to celebrate 25 years of Affordable Art Fair at Battersea Park (16 – 20 October 2024), where you can purchase Nadia’s limited-edition print. Alternatively you can buy it online here, via Will’s Art Warehouse.