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About Hermione Carline

About the artwork

Following a trip to China in 2018, Hermione created a new series of work inspired by the limestone mountains rising out of the Li and Yulong rivers in the south west of the country. These pictures are transformed as a series of overlapping snapshots of reflections or mountain landscapes. Although dreamlike, the shapes of the mountains are derived accurately from drawings made at the time. In Nutmeg Hills she is looking at this world as a perfectly still reflection. Only the faintest difference marks the sky from the water. The mountains are transformed into abstract shapes to represent a landscape. Each mountain is overlaid with another, as though she is seeing right through them into the distance. Hermione paints directly onto a birch plywood box panel. The sides are 3.8cm deep and the sides are brushed using an ‘ombre’ technique to reflect the mood and colour in the painting itself. As seen from different angles, the painting takes on a sculptural form.

Hermione Carline Nutmeg Hills, 2019

£475.00
H 30 cm x W 30 cm x D 4 cm
More details
Oil
Original, Unframed
Signed
Gallery:
Ships from: United Kingdom

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About Hermione Carline

About the artwork

Following a trip to China in 2018, Hermione created a new series of work inspired by the limestone mountains rising out of the Li and Yulong rivers in the south west of the country. These pictures are transformed as a series of overlapping snapshots of reflections or mountain landscapes. Although dreamlike, the shapes of the mountains are derived accurately from drawings made at the time. In Nutmeg Hills she is looking at this world as a perfectly still reflection. Only the faintest difference marks the sky from the water. The mountains are transformed into abstract shapes to represent a landscape. Each mountain is overlaid with another, as though she is seeing right through them into the distance. Hermione paints directly onto a birch plywood box panel. The sides are 3.8cm deep and the sides are brushed using an ‘ombre’ technique to reflect the mood and colour in the painting itself. As seen from different angles, the painting takes on a sculptural form.

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