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About Felicity Beaumont

About the artwork

Submerged Mirror I, II, III and IV are a series of miniature, figurative abstract paintings by Felicity Beaumont. The works form part of an ongoing series of works concerned with contemporary society's relationship to the body. Using imagery from social media, personal archive, publicly submitted imagery, pornography, film and pop culture, Beaumont crops, stylises and re-situates images of the body to inhabit the space of abstract, stylised painting. The colourful works she creates explore the viewer/painting relationship, recognisability, abstraction, and focusses on subjects of diversity, sexualisation, stereotyping, male and female gaze, objectification, gender and identity. Process is a vital part of her painting practice and the physical photographic crop is an intrinsic stage in the investigation of the figure. The cropping process can vary between intentional focus on a specific area of a body, or random zooming and resizing processes. Through this process, the human body is undeniable within the painting, yet an unconventional angle and non-traditional perspective encourages the viewer to readdress their perception of the painted body.

Felicity Beaumont Submerged Mirror I, Acrylic on canvas, 2019

£335.00
H 30 cm x W 20 cm x D 3 cm
More details
Acrylic
Original, Framed
Signed
Ships from: United Kingdom
  • Certificate of authenticity Certificate of authenticity

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About Felicity Beaumont

About the artwork

Submerged Mirror I, II, III and IV are a series of miniature, figurative abstract paintings by Felicity Beaumont. The works form part of an ongoing series of works concerned with contemporary society's relationship to the body. Using imagery from social media, personal archive, publicly submitted imagery, pornography, film and pop culture, Beaumont crops, stylises and re-situates images of the body to inhabit the space of abstract, stylised painting. The colourful works she creates explore the viewer/painting relationship, recognisability, abstraction, and focusses on subjects of diversity, sexualisation, stereotyping, male and female gaze, objectification, gender and identity. Process is a vital part of her painting practice and the physical photographic crop is an intrinsic stage in the investigation of the figure. The cropping process can vary between intentional focus on a specific area of a body, or random zooming and resizing processes. Through this process, the human body is undeniable within the painting, yet an unconventional angle and non-traditional perspective encourages the viewer to readdress their perception of the painted body.

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Submerged Mirror III, Acrylic on canvas

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Submerged Mirror II, Acrylic on canvas

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Submerged Mirror IV, Acrylic on canvas

H 30 cm x W 20 cm x D 5 cm
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Skin, Acrylic on canvas

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Piano, Acrylic on canvas, framed in handpainted wood

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