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About Caroline Banks

About the artwork

Gesso on natural linen canvas 30x30cm. Ready to hang. Exploration of the play between black and white, how they relate to one another three dimensionally within the picture plane. Caroline uses the expressive and gestural quality of brush, gesso and ink with gilding and piercing in her explorations into the fluid and fugitive nature of memory, bearing witness to the passage of time. Some pieces can appear almost archaeological, surviving fragments from an unknown past. The Zen circle is a key element in her visual vocabulary which she returns to repeatedly. Chance is an important element of the creative, meditative process with unpredictability playing its ever-present role as in life. She works with her materials on the knife-edge of control; once a mark has been made it cannot be taken back and the interplay between materials is itself a fascination. Her aim is to create contemplative yet celebratory pieces, giving the viewer time for quiet reflection in today’s busy and sensorially bombarded world.

Caroline Banks Black And White Gesso - Canvas, 2019

£370.00
H 30 cm x W 30 cm x D 2 cm
More details
Gesso
Original, Unframed
Signed
Ships from: United Kingdom
  • Certificate of authenticity Certificate of authenticity

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About Caroline Banks

About the artwork

Gesso on natural linen canvas 30x30cm. Ready to hang. Exploration of the play between black and white, how they relate to one another three dimensionally within the picture plane. Caroline uses the expressive and gestural quality of brush, gesso and ink with gilding and piercing in her explorations into the fluid and fugitive nature of memory, bearing witness to the passage of time. Some pieces can appear almost archaeological, surviving fragments from an unknown past. The Zen circle is a key element in her visual vocabulary which she returns to repeatedly. Chance is an important element of the creative, meditative process with unpredictability playing its ever-present role as in life. She works with her materials on the knife-edge of control; once a mark has been made it cannot be taken back and the interplay between materials is itself a fascination. Her aim is to create contemplative yet celebratory pieces, giving the viewer time for quiet reflection in today’s busy and sensorially bombarded world.

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Gesture (diptych)

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Counterpoint

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Turbulence - Triptych

H 102 cm x W 200 cm x D 2 cm
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From Blue Ground Study

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Pause

H 102 cm x W 102 cm x D 2 cm
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Eyelet Disc On Linen

H 40 cm x W 40 cm x D 2 cm
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Energy Dark Ground II

H 100 cm x W 80 cm x D 3.4 cm
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Gesture I From Study

H 30 cm x W 30 cm x D 2 cm
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Gesture II From Study

H 30 cm x W 30 cm x D 2 cm
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Notation - Triptych

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Transcience

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