Thomas Dowdeswell pulls back the curtain on current, controversial issues with surreal political satire, challenging the viewer to confront, digest and empathise with multiple perspectives, both literally and theoretically. The complexity is discernible and at times even daunting, yet Dowdeswell’s works remain decipherable like an unnerving cautionary poem of the end of civilisation as we know it. Meanwhile, under the geometrical figures, symbolic colour palettes, and explicit imagery, an intellectual voice is always present.
Dowdeswell’s surrealist style creates a dreamscape atmosphere where he deliberately juxtaposes imagery of desperation and opulence, victimisation and exploitation, in an attempt to explore the inequality of society through a flurry of abstraction and symbolism. When expressed through structural shapes, the form and energy is reminiscent of Futurist Umberto Boccioni's Elasticity (1912). But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation. Moreover, Dowdeswell’s faceless, indistinguishable figures have an uncanny resemblance to Salvador Dali's 'creature' in The Persistence of Memory (1931) reinforcing the obscure, dreamlike setting and reiterating the inescapable confusion of the human condition.
Thomas is based in Bristol and has exhibited across the UK, Europe and United States.