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About Anne de Villeméjane

About the artwork

Anne de Villeméjane’s work explores femininity; she creates delicate, elongated, quiet women. Their poses are reflective, pensive, maybe pre-occupied even. The artist depicts women from the point of view of her inner life, as the works go beyond portraiture to reach the essence of womanhood.

The artist first explored photography, then shifted her focus to painting, exploring the intricate shapes of the flamenco. People were attracted to her colorful representations of Spanish dancers or nudes; the figures were all at once sensual and distant. The women had no gaze, and their body attitude and movement revealed more than their facial expression. Villemejane’s painting seemed close to confession but unafraid of confrontation. Villeméjane later began to specialize herself in sculpture. Her work underwent metamorphosis, as the figures previously seen in her paintings found new life in sculpture. Cast in bronze or built in cement, they found their rightful expression, as their three dimensional physicality gave them a new existence. Despite their slender form, their presence took on weight, and their surfaces exposed a heterogeneous materiality as well as a multitude of abstract traces

Anne de Villeméjane Walking Woman Bust, 2019

£2,992.10
H 26 cm x W 5.5 cm x D 4 cm
More details
Acrylic
Original
Signed
Ships from: United States
  • Certificate of authenticity Certificate of authenticity

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About Anne de Villeméjane

About the artwork

Anne de Villeméjane’s work explores femininity; she creates delicate, elongated, quiet women. Their poses are reflective, pensive, maybe pre-occupied even. The artist depicts women from the point of view of her inner life, as the works go beyond portraiture to reach the essence of womanhood.

The artist first explored photography, then shifted her focus to painting, exploring the intricate shapes of the flamenco. People were attracted to her colorful representations of Spanish dancers or nudes; the figures were all at once sensual and distant. The women had no gaze, and their body attitude and movement revealed more than their facial expression. Villemejane’s painting seemed close to confession but unafraid of confrontation. Villeméjane later began to specialize herself in sculpture. Her work underwent metamorphosis, as the figures previously seen in her paintings found new life in sculpture. Cast in bronze or built in cement, they found their rightful expression, as their three dimensional physicality gave them a new existence. Despite their slender form, their presence took on weight, and their surfaces exposed a heterogeneous materiality as well as a multitude of abstract traces

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