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Adele Riley

About Adele Riley

About the artwork

Bluebell Wood Original Acrylic Painting on Canvas Acrylic Paint and Acrylic Inks on Canvas Framed in a White Box Frame Image size: H 30.5cm (12″) x W 30.5cm (12″) x D 4cm (1.6″) Framed Size: H 34cm (13.4″) x W 34 (13.4″) x D 5.5cm (2.2″) Please note that in situ images are purely an indication of how a piece may look. Bluebell Wood is an original Landscape painting by Adele Riley. The fresh green tones contrasted with the bold blue floral areas of the canvas make this a bright and vibrant piece. As a British-born artist living in Gloucestershire, I’m surrounded by some of the most natural and inspiring surroundings in the UK, well-placed to benefit from a huge variety of light, texture, and drama – perfect for what I do. I usually begin by sensing the subject, sometimes using a photo or a sketch to extract weather, light, horizons and shapes to commit the scene to canvas with a variety of media and paint. When it comes to subject, I’m as happy looking for an expansive coastline, packed woodland or open fields every bit as much as getting in close to a feeding blackbird, a butterfly settling, or flowers budding. The most important ingredient is finding the emotion of the scene off

Adele Riley Bluebell Wood, 2019

£285.00
H 30.5 cm x W 30.5 cm x D 2 cm
More details
Acrylic
Limited edition, Framed
Signed
Gallery:
Ships from: United Kingdom

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About Adele Riley

About the artwork

Bluebell Wood Original Acrylic Painting on Canvas Acrylic Paint and Acrylic Inks on Canvas Framed in a White Box Frame Image size: H 30.5cm (12″) x W 30.5cm (12″) x D 4cm (1.6″) Framed Size: H 34cm (13.4″) x W 34 (13.4″) x D 5.5cm (2.2″) Please note that in situ images are purely an indication of how a piece may look. Bluebell Wood is an original Landscape painting by Adele Riley. The fresh green tones contrasted with the bold blue floral areas of the canvas make this a bright and vibrant piece. As a British-born artist living in Gloucestershire, I’m surrounded by some of the most natural and inspiring surroundings in the UK, well-placed to benefit from a huge variety of light, texture, and drama – perfect for what I do. I usually begin by sensing the subject, sometimes using a photo or a sketch to extract weather, light, horizons and shapes to commit the scene to canvas with a variety of media and paint. When it comes to subject, I’m as happy looking for an expansive coastline, packed woodland or open fields every bit as much as getting in close to a feeding blackbird, a butterfly settling, or flowers budding. The most important ingredient is finding the emotion of the scene off

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